Bartolomeo Tassini
worked 1740–1758
Stainer model. Rather unrefined work. Pale yellow or dark brown varnish, neither of which are totally satisfying. Wide-set upright soundholes, maple purfling, some with ebony black outer strips. Tapering pegbox. Broad across the chin but very narrow at the large open throat. Prominent eyes to the vo\u{2026} — John Dilworth
Auction price history
Highest auction price
| Type | Details | Auction house | Sold | Price |
|---|---|---|---|---|
| Cello | Ascribed to | — | November 2005 | £10,200 |
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Biographies
The overview above is drawn from the following published accounts. Read them in the original:
John Dilworth+
TASSINI, Bartolomeo Worked circa. 1740-1758 Venice Italy. Stainer model. Rather unrefined work. Pale yellow or dark brown varnish, neither of which are totally satisfying. Wide-set upright soundholes, maple purfling, some with ebony black outer strips. Tapering pegbox. Broad across the chin but very narrow at the large open throat. Prominent eyes to the volutes. Materials generally of first class. Opus Bartholomaey / Tassini 1756 Opus Bartholomei / Tassini Venetiae. 1752
Cecie Stainer+
A maker in Venice in 1754. His instruments, similar to those of Testore, show fairly good work. Label: ” Opus Bartholomei Tassini Venetia, 1754″
Willibald Leo Lütgendorff+
Er scheint aus der Schule von Testore hervorgegangen zu sein, doch erreicht er ihn nicht, wenn er auch besseres Holz als dieser nahm. Den Boden machte er gerne aus einem Stück und verwendete hübschen goldgelben Lack.
Henri Poidras+
The instruments by this little master have a gilt yellow varnish and recall the Testore.
Karel Jalovec+
Venice. 1740—1756. Worked on the large, broad model of Stradivari as well as in the style of Carlo Antonio Testore, but in a less skilful manner. Instruments of graceful outlines, arching executed in a beautiful manner, sound-holes carefully cut, excellent resonant wood. The back is often made of one piece. He used varnish to suit the model he imitated. Price 40.000 Kc.
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