Amati > Makers Archive > C > Paolo Castello

Genoa School

Paolo Castello

Genoa, worked 1750–1782

Follower of Calcanius. Unpredictable workmanship, mean scrolls, and rather low-set soundholes. Varnish of a dull pinkish-red. Paulus Castello / fecit Genuae / Anno 1775 — John Dilworth

Worked Genoa
Made Viola, Violin

Auction price history

Highest auction price

£41,100

23 results

Type Details Auction house Sold Price
ViolinLabelled Joseph Dal'Aglio fecit in Mantua Anno 1823 and Restore by Horacio Pineiro 2005 Lot 187TarisioNovember 2024£30,635est. $ 20,000-30,000
Violin35.8 cm late 18th C.June 2011£25,200
Violin35.6 cm 1770 c. Attributed toDecember 2010£7,200
Violin36.0 cm 18th C. (scroll later) Attributed toApril 2010£8,642
Violin35.8 cm Late 18th C. Ascribed toApril 2010£9,427
Violin35.8 cm Genoa, 1780October 2007£35,697
Violin35.2 cm Genoa, 1778May 2006£20,865
Violin36.1 cm Genoa , 1770 c.February 2006£18,000
ViolinGenoa, 1760 c.May 2005£18,000
ViolinMay 2004£7,294
Violin1770 c.June 2000£41,100
Violin1780May 2000£11,948
Violin1778November 1998£6,235
Violin1770May 1996£3,758
Violin1779October 1995£16,100
Viola38.6 cm 1770June 1995£14,950
Viola42.5 cm 1780 c.March 1989£33,880
Violin1790 c.November 1988£12,650
Violin1780 c.June 1988£7,920
Violin1776March 1988£13,433
Violin1750-99November 1986£17,600
Violin1770 c.January 1986£8,580
Violin1774November 1980£1,650

Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

CASTELLO, Paolo Worked circa. 1750-1782 Genoa Italy. Follower of Calcanius. Unpredictable workmanship, mean scrolls, and rather low-set soundholes. Varnish of a dull pinkish-red. Paulus Castello / fecit Genuae / Anno 1775

Cecie Stainer+

A maker in Genoa about 1750-80. His instruments are fairly well made, he used yellow varnish. A violin, which has since been carefully enlarged, was on a small model, very much arched, and it was labelled: ” Paulus Castello, Genuae, anno 1774.”

Willibald Leo Lütgendorff+

Seine Arbeit ist äusserlich sehr schön, erinnert an die der Gagliani und
geht auf das Amatimodell zurück. Im Allgemeinen ist er trotz alledem nicht
sehr geschätzt, da er oft nur mittelmässiges Holz verwendete. Sein gelber Lack ist dagegen nicht schlecht. Eine seiner schönsten Geigen, ein wahres Prachtexemplar
aus der Spätzeit des italienischen Geigenbaus, ist aus der Sammlung Snoeck (No. 508) in der kgl. Sammlung in Berlin zu finden.

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