Amati > Makers Archive > N > Pietro Valentino Novello

Venice School

Pietro Valentino Novello

Venice, 1759–1831

Apprenticed to Giorgio Serafin in the workshop known as ‘Alla Cremona’ c.1773 and remained there after Giorgio’s death in 1779 when the business was taken over by A. Bellosio. Novello himself took over from Bellosio in 1793, married Bellosio’s widow Margherita, and was appointed legal agent for the \u{2026} — John Dilworth

Worked Venice
Made Violin

Auction price history

Highest auction price

£8,825
Type Details Sold Price
Violin Venice, 1791 Child's size [Ascribed to] October 2005 £8,825

Maker Overview

Life

Pietro Valentino Novello (1759-1831) was born in 1759 and died in 1831 in Venice, Italy. He was apprenticed to Giorgio Serafin in the workshop known as 'Alla Cremona' around 1773. Novello remained in the workshop after Giorgio Serafin's death in 1779, when the business was taken over by A. Bellosio. In 1793, Novello himself took over from Bellosio, married Bellosio's widow Margherita, and was appointed legal agent for the 'Alla Cremona' shop. He finally took full ownership of the workshop in 1799. Several craftsmen were employed there, including Marco Cerin until 1796, and Novello's step-son Giovanni Bellosio. Novello also assumed the contract as luthier to the Pietà Hospital from the Bellosio family., it appears that in several documents Novello used the name 'Marco', which has led previous writers to assume the existence of both Marco and Marco Antonio Novello as two other luthiers, often assumed to be Pietro Valentino's brothers; however, this now seems very doubtful. Cecie Stainer, in A Dictionary of Violin Makers, states that Pietro Valentino Novello was the brother of Marco Antonio Novello, a claim that conflicts with Dilworth's research. Willibald Leo Lütgendorff notes that it is incorrect to place Novello's active period into the 1830s, as has sometimes occurred.

Characteristics

Workmanship
Novello's work is described as good, loosely following the style of Amati.
Arching
His instruments feature a full, rounded arch with marked edge fluting.
Finish & Materials
While not finely finished, his instruments utilize excellent materials and are covered with a varnish of deep red-brown colour.
Recorded labels
  • Petrus Valentinus Novellus
    discipulus Bellosij
    fecit Venetijs. 1792John Dilworth

Influence and legacy

  • Apprenticeship: Pietro Valentino Novello was apprenticed to Giorgio Serafin around 1773.
  • Teacher: Willibald Leo Lütgendorff identifies him as a pupil of Anselm Bellosio.
  • School: He is considered one of the better violin makers during the gradual decline of the Venetian school.
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Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

NOVELLO, Pietro Valentino (Marco) Born 1759, died 1831 Venice Italy. Apprenticed to Giorgio Serafin in the workshop known as ‘Alla Cremona’ c.1773 and remained there after Giorgio’s death in 1779 when the business was taken over by A. Bellosio. Novello himself took over from Bellosio in 1793, married Bellosio’s widow Margherita, and was appointed legal agent for the ‘Alla Cremona’ shop. In 1799 he finally took full ownership himself. Several craftsmen were employed there, including, up until 1796, Marco Cerin and Novello’s step-son Giovanni Bellosio. Novello also took over the contract as luthier to the Pietà Hospital from the Bellosio family. It appears that in several documents he used the name ‘Marco’, which has caused previous writers to assume the existence of both Marco and Marco Antonio Novello as two other luthiers, assumed to be brothers of Pietro Valentino. This now seems very doubtful. Good work, loosely after Amati. Full rounded arch with marked edge fluting. Not finely finished but with excellent materials and varnish of deep red-brown colour. Petrus Valentinus Novellus / discipulus Bellosij / fecit Venetijs. 1792 [Pio]

Cecie Stainer+

Brother of Marco Antonio Novello. A maker in Venice in the 18th century.

Willibald Leo Lütgendorff+

Schüler von Anselm Bellosio und wie dieser einer der besseren Geigenmacher in der Zeit des allmählichen Verfalls der Venezianer Schule. Seine Zeit schon in die dreissiger Jahre zu setzen, wie mehrfach geschieht, ist nicht angängig.

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