James Cole
Manchester, worked 1845–1892
Pupil of Tarr and associated with Craske. Work very variable in quality, but cellos generally more successful. After 1858 work branded internally: ‘J. Cole’ Cole (Senior) / Raby Street / Moss Side / Manchester James Cole / Fecit Manchester / 1857. — John Dilworth
Instruments
Auction Price History
Highest auction price
13 results
| Type | Details | Auction house | Sold | Price |
|---|---|---|---|---|
| Bass | 115.9 cm Manchester, 1880 Attributed to | — | March 2010 | £25,200 |
| Violin | 1872 | — | March 1996 | £1,035 |
| Violin | 1884 | — | June 1995 | £1,380 |
| Violin | 1889 | — | March 1992 | £1,551 |
| Cello | 1886 | — | September 1991 | £4,180 |
| Violin | 1889 | — | July 1991 | £770 |
| Violin | 1889 | — | March 1990 | £1,595 |
| Violin | 1884 | — | November 1989 | £2,530 |
| Violin | 1888 | — | March 1988 | £1,430 |
| Violin | 1886 | — | December 1986 | £319 |
| Violin | 1872 | — | April 1985 | £809 |
| Violin | 1887 | — | September 1984 | £605 |
| Viola | 39.8 cm 1885 | — | November 1983 | £1,045 |
No results match those filters.
Biographies
The overview above is drawn from the following published accounts. Read them in the original:
John Dilworth+
COLE, James Worked circa. 1845-1892 Manchester UK. Pupil of Tarr and associated with Craske. Work very variable in quality, but cellos generally more successful. After 1858 work branded internally: ‘J. Cole’ Cole (Senior) / Raby Street / Moss Side / Manchester James Cole / Fecit Manchester / 1857.
William Meredith Morris+
He was a pupil of William Tarr, and worked afterwards with George Craske. I have not seen any of his work, and cannot pronounce an opinion ; but old Tarr did not entertain a very high opinion of his abilities. He used a label in his early work, but later stamped ” S. Cole ” inside on the back.
Cecie Stainer+
A maker in Manchester. He learnt his trade there, first with Tarr and then under George Craske. Until 1858 he used a label, but after that stamped “J. Cole” inside his instruments.
Willibald Leo Lütgendorff+
Lernte zuerst bei Tarr und dann bei George Crask. Seine Geigen sind
gute Orchesterinstrumente. Bis 1858 gebrauchte er einen Zettel, später nur
mehr eine Brandmarke.
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