Amati > Makers Archive > J > Ettienne Charles Albert Jacquot

Nancy School

Ettienne Charles Albert Jacquot

Nancy, 1853–1929

Ettienne Charles Albert Jacquot (1853-1929) was a distinguished French luthier, the eldest son and partner of Pierre Charles Jacquot. Born in Nancy, he trained under his father and further honed his skills with leading masters across Europe. He was renowned for his fine workmanship on classical Italian models, utilizing his own studies on wood thickness and a distinctive fat oil varnish. Jacquot was also a prolific author, publishing significant works on music and instrument making, and was recognized as a connoisseur and expert, earning numerous public appointments and awards, including Officier de l'Instruction publique and Knight of the Leopold Order.

Worked Nancy
Made Violin
Taught by Pierre Charles Jacquot

Auction price history

Highest auction price

£6,380
Type Details Sold Price
Violin 35.8 cm Nancy, 1902 December 2007 £5,786
Violin 1897 June 1989 £6,380
Violin 1897 January 1983 £2,310

Maker Overview

Life

Ettienne Charles Albert Jacquot (1853-1929) was born on September 18, 1853, in Nancy, the eldest son of Pierre Charles Jacquot. He learned under his father and was associated with him in his work. He spent some time in Augsburg from 1865 and in Paris before joining his father in Nancy in 1869. From 1869, he traveled to Germany, then went to Brussels and Paris, working with leading masters everywhere, before entering his father's workshop as a partner in 1880. By 1899, his address was 19, rue Gambetta, Nancy.

Characteristics

Training
He learned under his father, Pierre Charles Jacquot, and worked with leading masters in Germany, Brussels, and Paris to further perfect his skills.
Models
He worked on classical Italian models, including those of Stradivari, Guarneri, Amati, and Maggini, incorporating the results of his own studies regarding wood thickness and outlines.
Workmanship
His violins are distinguished by the finest workmanship and an extraordinary evenness of tone, which he partly attributed to his excellent, fat oil varnish.
Markings
His violins feature a brand mark at the lower end of the neck, a printed label inside with his name, a small shield on the left with the letters A. J. divided by a cross and a master's hat above it, and the coat of arms of Lorraine on the right.
Recorded labels
  • Albert Jacquot
    Luthier
    19, rue Gambetta, 19 Nancy, 1899John Dilworth

Influence and legacy

  • Mentorship: Ettienne Charles Albert Jacquot learned under his father, Pierre Charles Jacquot.
  • Further Study: He worked with leading masters in Germany, Brussels, and Paris to further perfect his skills.
  • Publications: He published two important works: La Musique en Lorraine in 1882, and Dictionnaire des instruments de musique. He also published La Lutherie Francaise et Lorraine in Paris in 1912, along with many other pamphlets and monographs on the violin.
  • Recognition: He was recognized as a connoisseur and expert, and won several public appointments.
  • Awards & Honors: He was an Officier de l'Instruction publique, a member of the Society "des Beaux-Arts des departements," a member of the archaeological society for Lorraine, a member of several academies, and a Knight of the Leopold Order. He was awarded first prizes at all exhibitions.
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Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

Etienne Charles Albert, Born 1853, died 1929. Eldest son and assistant of Pierre Charles Jacquot, below. Spent some time in Augsburg from 1865, and in Paris before joining his father in Nancy in 1869. Fine work on classical Italian models with good oil varnish. Branded on the back. Recognised as a connoisseur and expert. Published many pamphlets and monographs on the violin, notably La Lutherie Francaise et Lorraine (Paris, 1912), and won several public appointments. Albert Jacquot / Luthier / 19, rue Gambetta, 19 Nancy, 1899

George Hart+

Son of [Charles Jacquot].

Cecie Stainer+

Eldest son of Pierre Charles Jacquot, b. Sept. 18. 1853, Nancy. Learnt under his father, and was associated with him in his work. He published two important works: “La Musique en Lorraine,” in 1882, and ” Dictionnaire des instruments de musique,” He is Officier de l’lnstruction publique and member of the Society ” des Beaux-Arts des departements.”

Willibald Leo Lütgendorff+

Sohn und Schüler von Pierre Charles J. Um sich weiter zu vervollkommnen,
war er von 1869 an in Deutschland, ging dann nach Brüssel und Paris, überall
bei den ersten Meistern arbeitend, und trat 1880 als Theilhaber in die väterliche
Werkstatt ein. Er ist einer der bedeutendsten französischen Geigenmacher
der Gegenwart, er arbeitet nach Stradivari, Guarneri, Amati, Maggini etc., wobei
er die Resultate eigener Studien in Bezug auf die Holzstärke, die Umrisslinien etc. verwendet. Seine Geigen zeichnen sich durch grösste Sauberkeit der Arbeit
und eine ausserordentliche Gleichmässigkeit im Tone aus, die er zum Theil
seinem trefflichen, fetten Öllack zuschreibt; er wurde auf allen Ausstellungen
durch erste Preise ausgezeichnet. Er ist ausserdem ein gründlicher Kenner der
Musikgeschichte und des Instrumentenbaues seiner Heimath und hat mehrere
werthvolle Monographien veröffentlicht, ferner ist er Mitglied der archäologischen
Gesellschaft für Lothringen und mehrerer Academien, Officier de
l’Instruction Publique und Ritter des Leopold – Ordens etc. etc. Seine Geigen
haben am unteren Ende des Halses eine Brandmarke, im Innern einen gedruckten
Zettel mit seinem Namen, links ein Schildchen mit den Buchstaben A. J. durch ein Kreuz
getheilt und dem Meisterhut darüber, rechts das Wappen von Lothringen.

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