France School
Jean Francois Pillement
Mirecourt, Paris, b. 1758
Jean Francois Pillement (1758-after 1830), also known as 'Pillement père', was a French luthier from Mirecourt who crafted violins, cellos, and double basses. His work, though sometimes uneven, included cellos often considered superior, and his stylistic evolution moved from the Gavinies school to Amati and then Stradivari models. His instruments were branded with various locations, including Mirecourt, Paris, and Cremona, despite all being made in Mirecourt, and a violin by him is preserved in the royal collection in Berlin.
Auction price history
Highest auction price
| Type | Details | Sold | Price |
|---|---|---|---|
| Violin | Labelled Pillement, one-piece back, table cracks | May 2020 | £199 |
| Violin | 37.0 cm Mirecourt, mid19th C. | May 2011 | £656 |
| Violin | 36.0 cm Mirecourt, 1800 c. [Probably by] | February 2011 | £1,410 |
| Violin | 36.0 cm Mirecourt, 1810 c. | October 2009 | £1,320 |
| Violin | 36.2 cm Paris, 1800 c. | June 2009 | £312 |
| Violin | 36.0 cm Mirecourt, 1840 c. | June 2009 | £1,037 |
| Viola | 39.3 cm Mirecourt, 1810/1820 c. (some restorations) | June 2009 | £1,763 |
| Violin | 36.3 cm Mirecourt, 1840 c. | June 2009 | £156 |
| Violin | 36.1 cm Mirecourt, 1840 c. (some restorations) | June 2009 | £830 |
| Violin | 35.8 cm Mirecourt, 1800 c. (restored soundpost crack) | December 2008 | £1,536 |
| Cello | 72.4 cm Mirecourt, 1840 c. | December 2006 | £5,193 |
| Violin | 35.8 cm 1800 c. | September 2006 | £300 |
| Violin | 35.9 cm Mirecourt, 1800 c. | June 2006 | £809 |
| Violin | Mirecourt, 1840 c. | November 2005 | £401 |
| Violin | France, 1810 c. | June 2005 | £4,709 |
| Violin | Mirecourt, 1830 c. | June 2004 | £550 |
| Violin | 1790 | November 2002 | £2,530 |
| Cello | 1800 | May 2001 | £7,395 |
| Cello | 1790 c. | June 2000 | £3,220 |
| Violin | 1790 | June 2000 | £860 |
| Violin | 1830 | December 1999 | £260 |
| Violin | 1800 | March 1999 | £762 |
| Violin | 1830 | December 1998 | £369 |
| Violin | 1815 c. | November 1996 | £1,380 |
| Violin | 1790 c. | February 1994 | £196 |
| Cello | 1820 c. | September 1992 | £2,200 |
| Violin | 1800 c. | September 1992 | £605 |
| Violin | 1790 c. 1/2 Size | July 1992 | £387 |
| Cello | 1800 c. | June 1991 | £2,200 |
| Violin | 1800 c. | July 1990 | £352 |
| Violin | 1800 c. | July 1990 | £176 |
| Cello | 1800-25 | November 1986 | £880 |
| Viola | 38.1 cm 1800-25 | May 1986 | £990 |
| Violin | 1800 c. | May 1986 | £550 |
| Violin | 1800 c. | March 1986 | £388 |
| Violin | 1800 c. | May 1981 | £264 |
| Cello | 1800 c. | October 1980 | £1,430 |
Maker Overview
Life
Jean Francois Pillement (1758-after 1830) was born in 1758 in Mirecourt, France, and died after 1830. He was known as 'Pillement père', and while some authorities initially assumed 'Jean François Pillement' was his son, John Dilworth clarifies that 'Jean' and 'Jean François' refer to the same individual, and this seems not to be the case. Willibald Leo Lütgendorff also notes that he was probably from Mirecourt and that a label from 1830 identifies him as F. Pillement père, suggesting a son might have also been a violin maker; this son might be the 'Lété Pillement' in Turin, whose name was found in a guitar.
Characteristics
- Instrument Types
- He produced many fine violins, cellos, and double basses.
- Workmanship
- His workmanship was not of the first order, and his materials were usually plain.
- Varnish
- The varnish he used was good but inconsistent in shade and texture, and, it was quite dark.
- Cello Quality
- Willibald Leo Lütgendorff notes that his cellos, whose backs were usually made from one piece, were generally better than his violins.
- Sound Quality
- Willibald Leo Lütgendorff states that his work was very uneven, with some very mediocre violins alongside others that sounded quite good.
- Branded internally: ‘F. Pillementi
Père. A. Cremona’, ‘Pillemont père
à Mirecourt’ or ‘F. Pillemont père
à Paris’. Pillemont père
à Mirecourt fecit
anno 1799John Dilworth - F. Pillement père
à Paris fecit
anno 1806John Dilworth
Influence and legacy
- Stylistic Evolution:, his early work is attributed to the school of Gavinies style, with subsequent work on Amati and finally Stradivari models.
- Museum Collections: The royal collection in Berlin possesses a violin by Pillement from the Snoeck collection (No. 532).
Biographies
The overview above is drawn from the following published accounts. Read them in the original:
John Dilworth+
PILLEMENT (PILLEMONT), (Jean) François Born 1758, d. after 1830 Mirecourt France. Known as ‘Pillement père’, since some authorities assume that ‘Jean François Pillement’ is his son, but this seems not to be the case. ‘Jean’ and ‘Jean François’ are the same individual. Many fine violins, cellos, and double basses. Branded and labelled variously ‘Mirecourt’, ‘Paris’ and ‘Cremona’, all made nevertheless in Mirecourt. Henley attributes his early work to the school of Gavinies style; subsequent work on Amati and finally Stradivari models. Workmanship not of the first order. Materials usually plain. Varnish good but inconsistent in shade and texture. Branded internally: ‘F. Pillementi / Père. A. Cremona’, ‘Pillemont père/ à Mirecourt’ or ‘F. Pillemont père/ à Paris’. Pillemont père / à Mirecourt fecit / anno 1799 F. Pillement père / à Paris fecit / anno 1806
Willibald Leo Lütgendorff+
Wahrscheinlich ein Mirecourter. Seine Arbeit ist sehr ungleichwerthig:
neben sehr mittelmässigen Violinen findet man manchmal auch solche, die recht
gut klingen. Seine Geigen kommen häufig vor, doch sind seine Violoncelli,
deren Boden meist aus einem Stuck gefertigt sind, in der Regel besser. Sein
Lack ist ziemlich dunkel. Er verwendete eine Brandmarke:
Auf einem Zettel von 1830 bezeichnet er sich als F. Pillement père. Es scheint
also auch sein Sohn Geigenmacher gewesen zu sein; vielleicht ist dies jener
»Lété Pillement« in Turin, dessen Namen man in einer Guitarre las. Die
kgl. Sammlung in Berlin besitzt aus der Sammlung Snoeck eine Geige von
Pillement (No. 532).
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