Amati > Makers Archive > P > Claude Pirot

Paris School

Claude Pirot

Paris, worked 1795–1835

Established in the rue des Grands Augustins. Fine Stradivari model, some with slightly raised arch; best examples comparable with Lupot. Fine scrolls with elongated peg box. Excellent materials; frequently backs of one piece. Thick red-brown or pale yellow varnish. Sometimes branded on lower rib. Pr\u{2026} — John Dilworth

Worked Paris
Made Cello, Viola, Violin

Auction price history

Highest auction price

£19,700
Type Details Sold Price
Violin Bearing the maker's label, some table restorations, minor back blemish June 2024 £16,813
Violin 35.2 cm Early 19th C. [Attributed to] July 2011 £4,040
Violin 35.8 cm Paris, 1804 October 2007 £19,700
Violin 35.7 cm [Attributed to] July 2006 £3,360
Violin Paris, 1818 [Ascribed to & possibly by] October 2004 £5,090
Violin 1820 c. October 2003 £10,856
Violin 1803 October 2002 £6,118
Violin 1810 November 2001 £1,400
Cello 1820 November 2000 £15,280
Violin 1800 June 2000 £11,968
Violin 1923 September 1998 £10,268
Violin 1820 c. June 1998 £5,750
Violin 1806 March 1997 £920
Violin 1812 March 1992 £9,900
Violin 1815 November 1991 £4,840
Violin 1803 June 1991 £4,620
Violin 1806 November 1990 £7,260
Violin 1815 November 1988 £3,410
Violin 1822 March 1988 £3,740
Violin 1815 c. March 1988 £1,100
Violin 1816 April 1987 £3,520
Viola 39.7 cm 1804 November 1983 £2,200
Violin 180- September 1981 £1,430

Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

PIROT, Claude Worked circa. 1795-1835 Paris France. Established in the rue des Grands Augustins. Fine Stradivari model, some with slightly raised arch; best examples comparable with Lupot. Fine scrolls with elongated peg box. Excellent materials; frequently backs of one piece. Thick red-brown or pale yellow varnish. Sometimes branded on lower rib. Printed label: Cde. Pirot Fecit / Parisiis Anno 1810

Cecie Stainer+

A maker in Paris about 1800-20 He made good violins on the Italian pattern ; the bellies are slightly arched, the backs hardly at all; the sound-holes are well cut; the varnish is very thick, sometimes red-brown, sometimes pale yellow colour.
Similar labels have been found in violins dated 1808, 1810, 1813.

Willibald Leo Lütgendorff+

Ein verdienstvoller Geigenmacher, der die Italiener gut studirt hat und Lupot manchmal nahekommt. Die Wölbung nahm er ziemlich flach und schnitt die F-Löcher besonders schön. Sein rother oder rothbrauner Lack ist ziemlich dick und nicht durchsichtig genug. Zwei Violinen von ihm von 1803 und 1813 besitzt das Museum des Pariser Conservatoriums (No. 29 und No. 1012) und eine Violine von 1810 Berlin aus der Sammlung Snoeck.

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