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Nicolas Leonard Tourte

c.1746–1807

Nicolas Leonard Tourte (1746-c.1807) was a pioneering French bow maker, known as Tourte l'ainé, and is celebrated as one of the first specialists and the founder of the French archetier tradition. Trained by his father, Nicolas Pierre Tourte, he initially crafted bows with various stick forms and screw-adjusted frogs. After 1770, he standardized his designs, adopting the 'Cramer' bow's higher, heavier head. His career was significantly impacted by the French Revolution, leading his brother, François Xavier, to take the lead in modern bow development. Surviving examples of his work feature round sticks of tropical hardwoods and evolving frog designs, with pieces held in the Musée de la Musique, Paris.

Made Cello Bow, Viola Bow, Violin Bow
Taught by Nicolas Pierre Tourte
Family Son of Nicolas Pierre Tourte

Auction price history

Highest auction price

£31,424

26 results

Type Details Auction house Sold Price
Viola BowAmourette stick, head and handle blemishes, otherwise good condition Lot 245LaurentJune 2024£5,471est. € 6.000-8.000
Violin BowSilver mounted, later frog, button of the Fonclause school, head and mortice restorations, frog blemish Lot 280LaurentJune 2024£9,301est. € 8.000-10.000
Cello Bow78.5 g. AmouretteDecember 2011£19,022
Cello BowIvory 55.4 g. no hair or windingMarch 2011£4,743
Violin Bow56 g. violin or viola bow, Exotic wood, no hair / winding (frog & button later)December 2010£3,314
Viola Bow--/-- 63.5 g. (button later)December 2010£4,660
Violin BowS/E 54.5 g. frog & button made by "Persois", also with replica frog & buttonApril 2010£21,997
Cello BowS/E 75.5 g.April 2010£31,424
Cello BowS/E 78 g. Paris Ascribed toOctober 2009£4,800
Violin Bow51 g. without hair or windingJune 2009£16,076
Violin BowS/E 58.5 g.March 2009£11,700
Cello BowEbony 80.4 g. Exotic wood (frog & button a copy)November 2008£3,593
Violin BowS/E 57.5 g. France, 1780 c. Attributed toOctober 2008£3,000
Violin BowS/E 54 g. Paris, 1790 c. (later frog) Probably by & Lit: The Cooper CollectionMarch 2008£6,000
Violin BowS/E 50 g. without hair or winding (frog and button of "Voirin" school)December 2007£10,636
Cello BowS/E 74.5 g. Paris, 1785 c. Probably byApril 2007£7,884
Violin BowS/E 54 g. Paris, 1790 c. Probably byNovember 2006£1,920
Violin BowS/E 57.5 g. Ascribed to and possibly byMay 2006£9,198
Violin Bow?/? 43.5 g. without hair or wrappingDecember 2005£4,789
Violin Bow55.5 g. Exotic woodDecember 2005£5,188
Violin BowS/E 58.5 g. Frog by "Jacob Eury"November 2005£8,538
Violin BowS/E 57 g. (spliced under winding)June 2005£5,143
Violin BowS/E 53.5 g.December 2004£9,360
Violin BowS/E 60 g. (head spline)October 2004£1,262
Violin BowS/E 50 g. (minor blemishes)December 2002£12,387
Violin BowS/E 58 g. (later frog & button)October 2002£7,256

Maker Overview

Life

Nicolas Leonard Tourte (1746-c.1807) was born in 1746 and died around 1807 in Paris, France. He was a bow maker, known as Tourte l'ainé, and was the son and pupil of Nicolas Pierre Tourte. Recognized as one of the first specialist bow makers, he is also considered the founder of the great French tradition of the archetier. He trained with his father from approximately 1756 and worked independently after his father's death in 1764, operating in the 'Quinze Vingts Hospice' area of Paris. Initially, he produced bows in various fashionable forms, including those with straight and convex sticks, already incorporating screw-adjusted frogs. After 1770, his work became significantly more standardized, as he adapted his style to incorporate the higher, heavier head of the 'Cramer' bow, a design widely adopted after being championed by the virtuoso Wilhelm Cramer. In 1780, Tourte relocated to 3 Place de l'École, situated opposite the instrument shop of J-B.Salomon, where he was joined by his brother François Xavier. However, the challenging conditions of the Revolution and the subsequent 'reign of terror' made his existence very difficult, and Nicolas Léonard appears to have gone into hiding. His career never fully recovered, and François Xavier subsequently took the initiative in the development of the modern bow.

Characteristics

Specialization
Nicolas Leonard Tourte is recognized as one of the first specialist bow makers.
Early Bow Design
He made bows in various fashionable forms, featuring straight and convex sticks, and already incorporated screw-adjusted frogs.
Adaptation to 'Cramer' Bow
After 1770, his work became more standardized, adapting to the higher, heavier head of the 'Cramer' bow.
Surviving Examples
The small number of surviving examples feature round sticks made of various tropical hardwoods, with variable length and form.
Frog Evolution
Frogs were initially 'open' ivory, later evolving to a more modern form and crafted from various materials.
Brands
His bows were branded with 'TOURTE LAUX 15 VINGTS', 'TOURTE L', and 'TOURTE [Millant/Raffin]'.

Influence and legacy

  • Training: He was the son and pupil of Nicolas Pierre Tourte, training with his father from approximately 1756.
  • Foundational Role: He is considered the founder of the great French tradition of the archetier.
  • Family Collaboration: His brother, François Xavier, joined him in his workshop at 3 Place de l'École.
  • Founding Tradition: Nicolas Leonard Tourte is credited as the founder of the great French tradition of the archetier.
  • Family Continuity: Although his career was impacted by the Revolution, his brother François Xavier took the initiative in the development of the modern bow, building upon the family's foundational work.
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Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

TOURTE, Nicolas Léonard Born 1746, d.c.1807 Paris France. Bow maker, known as Tourte l’ainé. Son and pupil of Nicolas Pierre Tourte, below. One of the first specialist bow makers known and the founder of the great French tradition of the archetier. Trained with his father from c.1756. Worked alone after his death in 1764, in the ‘Quinze Vingts Hospice’ area of Paris. He was successful, making bows in the various forms then fashionable, with straight and convex sticks, although already with screw adjusted frogs. His work became much more standardised after 1770, when the type of bow espoused by the virtuoso Wilhelm Cramer was widely taken up. Tourte changed his style to incorporate the higher, heavier head of the ‘Cramer’ bow. In 1780 Tourte moved to 3 Place de l’École, opposite the instrument shop of J-B.Salomon, and was joined by his brother François Xavier. However, shortly after this, the conditions of the Revolution and the following ‘reign of terror’ made existence very hard, and Nicolas Léonard seems to have gone into hiding. His career never fully recovered and François Xavier took the initiative in the development of the modern bow. The small number of surviving examples have round sticks of various tropical hardwoods, variable in length and form. The frogs at first are ‘open’ ivory, later of more modern form and in various materials. Examples held in the Musée de la Musique, Paris. Brand: TOURTE LAUX 15 VINGTS, TOURTE L, and TOURTE [Millant/Raffin]

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