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Naples School

Gennaro Vinaccia

Naples, worked 1755–1778

Gennaro Vinaccia, active from 1755 to 1778 in Naples, was a prominent member of the Vinaccia family, known for his fine violins, cellos, and mandolins. Working from his shop in rua Catalana under the sign 'Cremona', he crafted instruments in the style of the Gagliani, utilizing models from Stradivari and Nicolo Gagliano, and featuring a dark golden-yellow or brown varnish. His mandolins are particularly common and are preserved in collections such as the Museum Kraus in Florence.

Worked Naples
Made Violin
Family Father of Antonio

Auction price history

Highest auction price

£48,000

8 results

Type Details Auction house Sold Price
ViolinLabelled Petrus Guarnerius filius Andero (sic.) fecit Mantua anno 1716 Lot 222Ingles & H.March 2025£48,000est. £ 45,000-60,000
Violin35.2 cm Naples, 1780 c. Ascribed toNovember 2011£45,109
Violin35.3 cm Naples, 1760 c. Probably byFebruary 2006£20,400
Violin1770November 2001£11,500
Violin1759November 1999£17,034
Violin1760March 1998£6,900
Violin1770November 1988£8,250
Violin1750-75June 1983£4,286

Maker Overview

Life

Gennaro Vinaccia (1755-1778) was a senior member of the Vinaccia family of mandolin and violin makers, active in Naples from 1755 to 1778.He established his workshop in Naples in rua Catalana at the sign 'Cremona'. Gennaro Vinaccia was the son of Antonio Vinaccia and the father of Antonio, Giovanni, and Vincenzo. His labels include "Januarius Vinaccia fecit Napoli / Sub Signo Cremonae anno Domini 1757" and "Januarius Vinaccia fecit neapoli sub / signo Cremonae in rua Catalana Anno / Domini 1778".

Characteristics

Instruments
Gennaro Vinaccia produced fine violins, cellos, and mandolins.
Models
His instruments were crafted on the models of Stradivari and Nicolo Gagliano, working in the style of the Gagliani.
Varnish
He utilized a dark golden-yellow or brown varnish of good texture.
Materials
Instruments were made of fine wood.
Sound-holes
The sound-holes were tastefully finished and copied from Nicolo Gagliano.
Tone
His instruments are noted for their good tone, particularly his violins and mandolins.
Model Characteristics
He employed a beautiful model of medium size.
Self-Perception
His choice to work "sub signo Cremonae" indicates his desire to be recognized as a violin maker.
Recorded labels
  • Januarius Vinaccia fecit Napoli
    Sub Signo Cremonae anno Domini 1757John Dilworth
  • Januarius Vinaccia fecit neapoli sub
    signo Cremonae in rua Catalana Anno
    Domini 1778John Dilworth

Influence and legacy

  • Family Tradition: Gennaro Vinaccia was the son of Antonio Vinaccia.
  • Stylistic Influence: He worked in the style of the Gagliani and based his instruments on the models of Stradivari and Nicolo Gagliano.
  • Specific Details: His sound-holes were copied from Nicolo Gagliano.
  • Collections: Mandolins by Gennaro Vinaccia are frequently encountered and can be found in various collections, including the Museum Kraus in Florence.
  • Valuation: His violins were valued at 500-1000 M. and his instruments were priced at 40,000 Kc.
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Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

Gennaro Worked 1755-1778. Senior member of this family of mandolin and violin makers. Established in Naples in rua Catalana at the sign ‘Cremona’. Father of Antonio, Giovanni, and Vincenzo. Fine violins and cellos in the Gagliano style with dark golden-yellow or brown varnish of good texture. Januarius Vinaccia fecit Napoli / Sub Signo Cremonae anno Domini 1757 Januarius Vinaccia fecit neapoli sub / signo Cremonae in rua Catalana Anno / Domini 1778

Willibald Leo Lütgendorff+

Sohn von Antonio I. V. Von den Mitgliedern der Familie Vinaccia ist er es, der neben schönen Mandolinen, die am häufigsten vorkommen, auch zahlreiche und gute Geigen gemacht hat. Er arbeitete in der Art der Gagliani, hatte ein schönes Modell von mittlerer Grösse und dunkelgelben oder braunen Lack. Dass er sich als Geigenmacher betrachtet wissen wollte, geht schon daraus hervor, dass er »sub signo Cremonae« arbeitete. Mandolinen von ihm sind in verschiedenen Sammlungen zu finden, so auch im Museum Kraus in Florenz. Seine Geigen werden jetzt durchnittlich auf 500—1000 M. bewerthet. Er wohnte, wie sein Bruder, Strada Rua Catalana, wo auch der Vater gewohnt hat.

Karel Jalovec+

Naples. 1755 — 1778. Son of Antonio Vinaccia. Fine work on the models of Stradivari and N. Gagliano. The instruments are made of fine wood, the tastefully finished sound-holes are copied from Nic. Gagliano. In regard to the tone his instruments are good, particularly his violins and mandolins. Price 40.000 Kc.

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