Amati > Makers Archive > C > Augustin Claudot

Mirecourt School

Augustin Claudot

Mirecourt, 1776–1843

Elder son of Charles Claudot (I), below. Violin and bow maker. Good workmanship with light orange varnish. Berlin Museum has a good Stradivari model violin and a lyre-guitar signed: ‘Augustin Claudot’. Bows branded: ‘AUGUSTIN CLAUDOT’. — John Dilworth

Worked Mirecourt
Made Bass, Viola, Violin

Auction price history

Highest auction price

£8,740
Type Details Sold Price
Violin Bearing the maker's brand to the back, worm December 2024 £1,385
Violin Bearing the maker's brand to the back, fair condition December 2024 £1,491
Viola Bearing the maker's brand internally, one-piece back, head restoration December 2023 £2,069
Viola 38.6 cm October 2011 £863
Bass Mirecourt, 1840 c. (numerous restorations) June 2008 £4,642
Violin 35.8 cm 1820 c. [Workshop of] October 2007 £1,257
Violin 33.5 cm 1860 c. 3/4 Size [Workshop of] May 2007 £691
Violin 35.8 cm Mirecourt, Mid-19th C. May 2006 £2,299
Violin Mirecourt, 1820 c. June 2005 £1,026
Violin Mirecourt, mid-19th C. October 2004 £2,545
Violin 1830 June 2002 £471
Violin 1876 November 2001 £8,740
Violin 1926 May 1999 £3,025
Violin 1830 March 1997 £2,760
Violin 18-- November 1995 £1,955
Viola 38.1 cm 1800 c. November 1993 £2,200
Violin 1830 c. July 1989 £770

Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

CLAUDOT, Augustin Born 1776, died 1843 Mirecourt France. Elder son of Charles Claudot (I), below. Violin and bow maker. Good workmanship with light orange varnish. Berlin Museum has a good Stradivari model violin and a lyre-guitar signed: ‘Augustin Claudot’. Bows branded: ‘AUGUSTIN CLAUDOT’.

Cecie Stainer+

Worked in Paris beginning of 19th century His instruments are on a large pattern, with yellow varnish, the wood of good quality, and the work carefully finished. Instead of using a label, he generally branded his instruments with his name, “Augustin Claudot.”

Willibald Leo Lütgendorff+

Bruder von Charles II. Claudot. Er soll in seiner Jugend auch in Paris gearbeitet haben. Sein Modell von breitem Patron ist nicht schlecht; weniger lässt sich dies von seinem (gelben oder orangefarbigen) Lack sagen; dagegen verwendete er meist gutes Holz. Statt des Zettels gebrauchte er eine Brandmarke mit seinem Namen ohne Ortsangabe. Eine Geige von ihm war in der Sammlung Snoeck.

Sell your instrument with Amati

Get started by uploading photos of your instrument for our experts to review.