Amati > Makers Archive > Giovanni Battista (I) Grancino

Giovanni Battista (I) Grancino

Highest auction price

£209,600

Auction price history
Type Details Sold Price
Violin 35.3 cm Milan, 1697 c. (head reported to be from another instrument) Tue 1st November 2011 £101,496
Cello 77.3 cm Milan, 1700 c. (later scroll) Sat 1st October 2011 £121,250
Violin 35.5 cm Milan, 1690 c. (table & head replaced) Wed 1st June 2011 £66,129
Violin 35.3 cm 1698 c. [Lit.] Tue 1st March 2011 £144,000
Violin 35.6 cm 1800 c. (the head later) [Attributed to] Wed 1st December 2010 £4,561
Viola 39.8 cm Milan, C 1670 [Ascribed to, or by "Ferdinando Alberti"] Fri 1st October 2010 £108,904
Violin 35.3 cm Milan, 1690 c. Thu 1st April 2010 £69,045
Violin 35.5 cm [Ascribed to] Mon 1st June 2009 £11,360
Violin 35.9 cm Mailand, 1697 Sat 1st November 2008 £66,855
Violin 35.4 cm Milan, 17… c. (scroll possibly not original) Mon 1st October 2007 £91,384
Violin 35.5 cm [Attributed to] Tue 1st May 2007 £9,217
Violin 35.4 cm Milan, 1690 c. Mon 1st May 2006 £35,257
Cello Milan, 1693 with 'Provenance' Tue 1st November 2005 £209,600
Violin Milan, 1700 c. Tue 1st November 2005 £80,525
Violin Milan, 1720 c. [Attributed to] Sun 1st May 2005 £21,600
Violin Milan, 1710 c. Sun 1st May 2005 £50,437
Violin [Ascribed to] Fri 1st April 2005 £15,038
Violin Milan, 1695 c. Mon 1st November 2004 £72,000
Violin Milan, 1695 c. (worm damage) Fri 1st October 2004 £46,055
Viola 39.8 cm Milan, 1710 c. Thu 1st April 2004 £40,392
Violin 1700 c. Sat 1st November 2003 £81,600
Violin 1690 Sat 1st June 2002 £36,905
Violin 1687 Mon 1st November 1999 £45,000
Violin 1695 Mon 1st November 1999 £111,500
Cello 1693 Sun 1st November 1998 £184,000
Violin 1662 Sat 1st June 1996 £47,700
Violin 1695 Sat 1st June 1996 £44,400
Violin 1700 c. Thu 1st June 1995 £45,500
Viola 42.1 cm 1690 c. Wed 1st March 1995 £52,900
Cello 1690 c. Wed 1st June 1994 £39,600
Violin 1690 c. Mon 1st November 1993 £31,050
Violin 1720 c. Tue 1st June 1993 £36,700
Violin 1700 c. Sat 1st May 1993 £27,867
Cello 1685-90 Sun 1st November 1992 £9,900
Violin 1705 c. Sun 1st November 1992 £24,200
Cello 70.5 cm 16-- Wed 1st April 1992 £14,850
Cello 1700 c. Thu 1st November 1990 £41,800
Violin 1719 Thu 1st March 1990 £41,800
Violin 1703 c. Wed 1st November 1989 £41,800
Violin 1670 c. Thu 1st June 1989 £29,700
Cello 1701 Tue 1st November 1988 £61,600
Violin 1690 c. Tue 1st November 1988 £4,620
Cello 1703 Mon 1st June 1987 £52,800
Cello 1690 c. Wed 1st April 1987 £33,000
Cello 1700 c. Thu 1st May 1986 £31,900
Cello 1695 Sat 1st March 1986 £28,600
Violin 1690 c. Thu 1st March 1984 £6,050
Violin 1708 Sun 1st January 1984 £15,156
Violin 1706 Tue 1st November 1983 £12,100
Violin 1723 Wed 1st June 1983 £7,700
Violin 1725 Mon 1st November 1982 £9,350
Cello 1700-25 Thu 1st April 1982 £17,600
Cello 1684 Sat 1st November 1980 £17,600
Biographies

John Dilworth

GRANCINO, Giovanni Battista (I) Born 1637, died 1709 Milan Italy Eldest son of Andrea Grancino, above. Lived and worked in the Contrada Larga, as did the others of the family and most of the known Milanese violin makers. His shop, presumably inherited from his father, was identified by the sign ‘della Corona’ which is given on his labels. After early work with his brother, Giovanni developed a distinctive and original style, and is the foremost maker of the Milan school. Teacher of Carlo Antonio Testore and employer of Bartolomeo Pasta, previously a pupil of Nicolò Amati in Cremona. He also taught his son, Giovanni Battista (II), below, but disinherited him in 1709 after his involvement in the murder of Antonio Maria Lavazza. The elder Grancino’s earlier broad Andrea Guarneri-like work developed into an elegant and very personal model distinguished by a narrow edge with delicate, slightly drooping upper corners, a low but pinched arching, and beautifully rendered soundholes with a strong Stradivarian influence evident in the broad wings. The scroll too is very distinctive, the volutes deeply dished and narrow with a small eye of almost conical shape. The varnish is of a rich yellow-gold colour. A very fine double-purfled contralto viola is in the collection or the Royal Academy of Music, London, but otherwise he seems not to have made violas without the assistance of his brother. Cellos are more common, but were made on a very large pattern, and most of those in use today have been cut down. Gio. Bapt. Grancino in Contrada / Largha di Milano, anno 16.. Gio. Grancino al Segno della Corona / in Contrada larga di Milano, fece 16..

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