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Naples School

Lorenzo Ventapane

Naples, 1780–1843

Lorenzo Ventapane (1780-1843) was a Neapolitan luthier, nephew of Vincenzo Ventapane, known for crafting instruments in the late Gagliano style, often inspired by Stradivari. While his designs were considered good, his workmanship was often unrefined. His cellos are particularly prized for their powerful tone and well-proportioned design. He is presumed to have been a pupil of Giovanni or Nicolo (II) Gagliano.

Worked Naples
Made Cello, Violin
Taught by Giovanni or Nicolo
Family Nephew of Vincenzo Ventapane

Auction price history

Highest auction price

£109,980

38 results

Type Details Auction house Sold Price
ViolinLabelled Januarius Vinaccia Fecit Neapoli A. 1770 Lot 116TarisioMarch 2024£46,109est. $ 50,000-80,000
Violin Lot 183BonhamsMay 2015£41
Violin35.4 cm (back repurfled & possibly not original) Probably byMay 2011£13,839
Violin34.9 cm Naples, 1810 c.May 2011£35,509
Violin35.6 cm Naples, 1800March 2011£16,800
Cello73.4 cm Naples, Early 19th C.October 2010£71,351
Violin35.2 cm Naples, Mid-18th C.April 2010£41,244
Violin35.6 cm Ascribed toOctober 2009£9,639
Violin35.2 cm Naples, 1840 c.March 2009£55,575
Violin35.9 cm Neapel, 1820 c.November 2008£13,471
Violin35.6 cm 1830 c. Attributed toNovember 2008£24,000
Cello74.3 cm Naples, 1825November 2008£109,980
Violin34.9 cm Early 19th C. Attributed toMarch 2008£4,000
Violin35.2 cm Naples, 1840 c.July 2006£36,000
Violin35.6 cm Ascribed toMay 2006£8,584
ViolinEarly 19th C.November 2005£22,800
Cellolate 19th C. Ascribed toMay 2005£6,716
ViolinNaples, 1820 c.October 2004£28,947
Violin Attributed toMay 2004£5,975
ViolinNaples, 1820 c.March 2004£38,400
Violin1829November 2001£25,300
Violin34.0 cm 1850June 2001£8,400
Violin1820March 2000£25,300
Violin18--July 1997£29,900
Violin1820 c.March 1997£27,600
Violin18--July 1991£12,100
Violin1835June 1991£31,900
Cello64.8 cm 1808 c.March 1991£10,450
Violin1837November 1990£4,840
Violin1824June 1990£14,850
Violin1810June 1990£20,900
Violin1830-50June 1988£9,900
Violin1800 c.May 1986£5,400
Violin1816June 1984£3,870
Violin1820November 1983£4,620
Violin1797June 1983£5,536
Violin1800 c.March 1981£5,207
Violin1810January 1981£3,667

Maker Overview

Life

Lorenzo Ventapane (1780-1843) was born in 1780 and died in 1843 in Naples, Italy. He was the nephew of Vincenzo Ventapane. Lorenzo Ventapane was established in Calata Borgo di Loreto and, from 1800, worked at 35 Strada Donnaregina, Naples.

Characteristics

Style
Instruments produced by Lorenzo Ventapane are described as being in the late Gagliano style, often imitating the Stradivari model, and exhibiting characteristics of the Neapolitan school.
Design
He developed a beautiful broad model, following the examples of Stradivari and Gagliano.
Workmanship
His work is characterized by good designs but unrefined workmanship, with scrolls that are very quickly cut and usually quite crude. The corners are broad but not cleanly formed.
Arching
The arching is of medium height, full to the edges.
Purfling
Beech purfling is set in broad flat edges.
Soundholes
Soundholes are quite widely set, but of good Stradivari form with small finial circles and broad but crudely fluted lower wings. Karel Jalovec notes them as delicately cut and placed in a slanting position.
Varnish
The varnish is described as fairly hard, glossy golden or yellow-brown by John Dilworth. Willibald Leo Lütgendorff notes it as orange-yellow, often darkened. Karel Jalovec describes it as mostly dark yellow, sometimes orange, transparent, with a touch of green.
Materials
Materials are generally of basic quality, though the wood is often described as fine or beautiful.
Instruments
His cellos are particularly prized as well-proportioned and effective instruments. Double basses and various plucked instruments are also recorded.
Scrolls
Scrolls have distinctively large and protruding eyes.
Tone
His instruments possess a powerful tone, which Henri Poidras suggests might be at the expense of quality due to an exaggerated body width. Karel Jalovec notes the tone as good and strong, though lacking smoothness.
Recorded labels
  • Lorenzo Ventapane
    Fabbricante di strumenti armonici
    Strada Donnaregina 35
    Napoli 18..John Dilworth
  • Lorenzo Ventapane
    Strada Donnaregina No. 35 Napoli 1809John Dilworth
  • Lorenzo Ventapane
    Fabbricante di Strumenti da Corde
    Abita Calata Borgo di Loreto No 23John Dilworth

Influence and legacy

  • Mentorship: Lorenzo Ventapane is presumed to have been a pupil of Giovanni or Nicolo (II) Gagliano.
  • Models: He developed his style following the examples of Stradivari and Gagliano.
  • Reputation: His cellos are considered first-rate and particularly prized.
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Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

VENTAPANE, Lorenzo Born 1780, Worked Calata Borgo di Loreto, died 1843 Naples Italy. Nephew of Vincenzo Ventapane, below. Presumed pupil of Giovanni or Nicolo (II) Gagliano. Established in Calata Borgo di Loreto and from 1800 at 35 Strada Donnaregina, Naples. Work in the late Gagliano style. Good designs but unrefined workmanship. Arching of medium height, full to the edges. Fairly hard glossy golden or yellow-brown varnish. Beech purfling set in broad flat edges, the corners also broad but not cleanly formed. Soundholes quite widely set, but of good Stradivari form with small finial circles and broad but crudely fluted lower wings. Scrolls very quickly cut; usually quite crude. Materials generally of basic quality. Cellos particularly prized as well-proportioned and effective instruments. Scrolls have distinctively large and protruding eyes. Double basses and various plucked instruments also recorded. Lorenzo Ventapane / Fabbricante di strumenti armonici / Strada Donnaregina 35 / Napoli 18.. Lorenzo Ventapane / Strada Donnaregina No. 35 Napoli 1809 Lorenzo Ventapane / Fabbricante di Strumenti da Corde / Abita Calata Borgo di Loreto No 23

Willibald Leo Lütgendorff+

Er arbeitete oft recht gut im Stil der Gagliani und ahmte das Stradivari- Modell nach. Das Holz ist gewöhnlich schön, der Lack orangegelb, aber häufig nachgedunkelt. Auch seine Violoncelli sind gut. Seine Arbeiten stehen jetzt im Preise zwischen 500—1000 M. Auch ein Gius. V. kommt vor.

Henri Poidras+

Probably son of Vincenzo, who, like himself, followed Stradivarius. His instruments possess a powerful tone, perhaps somewhat at the expense of the quality, but this may be largely due to the width of the body which is sometimes exaggerated.

Karel Jalovec+

Naples. 1809—1828. Developed, following the examples of Stradivari and Gagliano, a beautiful broad model. The wood is always fine, the varnish mostly dark yellow, sometimes also orange, the delicately cut sound-holes are placed in a slanting position. His work has the characteristics of the Neapolitan school, a little superficial; the tone, however, though lacking smoothness, is good and strong. His excellent varnish is transparent, with a touch of green. First-rate are his ‘cellos. Price 25.000 Kcs., ‘cello more.

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